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114 books
Cover of The Crystal Crown
fantasy · 1984

The Crystal Crown

by Brenda W. Clough

A reluctant king, some delightful originality, and a truly impressive amount of boredom.

Cover of The Shore of Women
sci-fi · 1986

The Shore of Women

by Pamela Sargent

A fascinating post-apocalyptic society where women rule technologically advanced cities and men live as wilderness barbarians. Unfortunately, the intriguing worldbuilding takes a backseat to a tedious, unconvincing romance, uneven pacing, and frustrating gender essentialism.

Cover of The Turning Place
sci-fi · 1976

The Turning Place

by Jean E. Karl

A collection of interconnected YA science fiction stories tracing humanity's future across centuries. Uneven and occasionally underwhelming individually, the stories gradually build toward a surprisingly moving exploration of what it means to be alive. Best suited to younger readers who enjoy thoughtful sci-fi.

Cover of God Stalk
fantasy · 1982

God Stalk

by P.C. Hodgell

A dark, inventive fantasy with mesmerizing worldbuilding and a wonderfully strange heroine starts incredibly strong, only to squander its promise on meandering plots and a disturbing relationship involving a child murderer. I loved it until I very much didn't.

Cover of The Wood Nymph and the Cranky Saint
fantasy · 1993

The Wood Nymph and the Cranky Saint

by C. Dale Brittain

Daimbert returns to Yurt for another cozy fantasy adventure, but a jumble of disconnected mysteries, an irritating new wizard, and an abrupt climax leave this sequel far short of *A Bad Spell in Yurt*'s charm. Even a delightful wood nymph can't quite save it.

Cover of The Woman Who Loved Reindeer
fantasy · 1985

The Woman Who Loved Reindeer

by Meredith Ann Pierce

What begins as an intriguing fantasy about a young seer raising a shapeshifting child takes an absolutely horrifying turn when their maternal relationship becomes romantic—while he's still underage. An emphatic DNF, because some things are too gross to read past.

Cover of Lethe
sci-fi · 1995

Lethe

by Tricia Sullivan

An ambitious, idea-dense debut with aquatic hybrids, psychic dolphins, wormholes, cyclops tribes, and a mysteriously idyllic world. The first two-thirds are gripping and full of promise, but a muddled final stretch and weak payoff keep it from fully cashing in on its fascinating setup.

Cover of Out There
sci-fi · 1971

Out There

by Adrien Stoutenburg

What promises to be a post-apocalyptic adventure turns out to be a rather dull nature-club field trip. Thin characterization, a depressing ending, and some egregious fatphobia make this one hard to recommend. Worst of all? Not a single raccoon.

Cover of From the Legend of Biel
sci-fi · 1975

From the Legend of Biel

by Mary Staton

A beautifully written premise about alien ruins and obsession gives way to an increasingly esoteric, talky, and relentlessly boring second half. If philosophical musings on the ordinary are your thing, this may work for you, but I hit my limit and gave up.

Cover of The Children Star
sci-fi · 1998

The Children Star

by Joan Slonczewski

On a planet with fascinating alien biology, an orphan colony becomes entangled in a struggle for the world's survival. Slonczewski delivers extraordinary science and thought-provoking ideas, but uneven pacing, shallow relationships, and a rushed final act keep this installment from reaching the heights of its predecessors.

Cover of Alien Nation: Extreme Prejudice
sci-fi · 1995

Alien Nation: Extreme Prejudice

by L.A. Graf

An unexpectedly thoughtful Alien Nation tie-in featuring a Pittsburgh-set murder mystery, creeping horror, and surprisingly nuanced explorations of racism. What could have been campy franchise fiction turns out to be a genuinely enjoyable police procedural.

Cover of Jinian Star-Eye
fantasy · 1986

Jinian Star-Eye

by Sheri S. Tepper

A promising finale to the Jinian trilogy takes a horrifying turn when its treatment of disability, eugenics, and supposedly soulless children undermines everything that came before. What begins as an imaginative fantasy adventure ends in an ethically disastrous mess.

Cover of The Changeling
non-speculative · 1970

The Changeling

by Zilpha Keatley Snyder

A tender, bittersweet story of two childhood outsiders whose friendship makes the world a brighter place. Despite its YA audience and lack of fantasy, The Changeling offers adults a surprisingly powerful dose of nostalgia for the friendships that shaped them.

Cover of Double Mobius Sphere
sci-fi · 1978

Double Mobius Sphere

by P.S. Nim

A deceptively dense first-contact mystery about a child prodigy, a starship crew, and humanity's place in the universe. Packed with mathematics, science, and philosophy, it's a fascinating exploration of big questions—even if the ending offers more heart than answers.

Cover of Guilt-Edged Ivory
speculative · 1992

Guilt-Edged Ivory

by Doris Egan

Theo and Ran return to Ivory for a murder mystery full of aristocratic intrigue. It's an enjoyable read, but the low stakes and focus on the whodunit leave less room for the rich relationships that made the earlier books so exceptional.

Cover of Daughter of Elysium
sci-fi · 1993

Daughter of Elysium

by Joan Slonczewski

A richly imagined, intellectually fascinating exploration of cultures, ecology, and family. Less plot-driven than *A Door Into Ocean*, but just as rewarding for readers who love getting lost in a world and its ideas.

Cover of Dervish Daughter
fantasy · 1986

Dervish Daughter

by Sheri S. Tepper

Jinian's second outing loses some of the charm and cohesion of *Jinian Footseer*, especially thanks to underdeveloped companions and Peter's obnoxious pressure for sex, but once Jinian gets room to act on her own, the book finally catches fire.

Cover of Godbond
fantasy · 1988

Godbond

by Nancy Springer

The Sea King trilogy promises a world-saving three-way, but its finale delivers meandering quests, endless emotional agony, and a conclusion that's somehow both too convenient and too vague.

Cover of Orbit 13
sci-fi · 1974

Orbit 13

by Damon Knight

Twenty stories of distinctly bleak 1970s speculative fiction, ranging from post-apocalyptic nightmares to reality-bending psychological horror. Doris Piserchia and Kate Wilhelm deliver some excellent work, but the relentless gloom left me exhausted rather than hungry for more.

Cover of Jinian Footseer
fantasy · 1985

Jinian Footseer

by Sheri S. Tepper

A pragmatic young woman sets off through a richly imagined fantasy world, encountering strange creatures, mysterious old gods, and no shortage of adventures—with six wonderful older women offering support along the way. A captivating, meandering journey whose pleasures far outweigh its frustratingly rushed conclusion.

Cover of Jalav
fantasy · 1982

Jalav

by Sharon Green

A promising fantasy about a fierce tribe of warrior women begins as an intriguing reversal of traditional gender roles, then devolves into relentless rape, slavery, and abuse portrayed as romance. Unconvincing characterization and a dreadful post-apocalyptic reveal only make its dangerous rape apologism worse.

Cover of Taurus Four
sci-fi · 1970

Taurus Four

by Rena Vale

A stranded space explorer encounters a primitive society descended from hippies and falls for a teenage girl. I kept reading in hopes that the protagonist's spectacular sexism was deliberate satire. Instead, the novel celebrates his misogyny and delivers one of the most appalling endings I've encountered.

Cover of Charlemagne's Champion
fantasy · 1990

Charlemagne's Champion

by Gail Van Asten

Roland, an outcast warrior terrified of his supernatural heritage, seeks redemption through service to Charlemagne. A deeply unlikable protagonist and sloppy prose nearly drove me away, but intriguing magical mysteries and a promising friendship kept me reading—until a disappointing conclusion vindicated my initial doubts.

Cover of A City in the North
sci-fi · 1976

A City in the North

by Marta Randall

A wealthy human explorer becomes obsessed with visiting an ancient ruin on a planet whose enigmatic native inhabitants want outsiders to stay away. In just 222 pages, Marta Randall delivers a fascinating, character-driven exploration of alien cultures, colonialism, and the limits of human understanding.

Cover of A Door Into Ocean
sci-fi · 1986

A Door Into Ocean

by Joan Slonczewski

On an ocean-covered moon, an all-female society of gifted biologists faces a growing threat from a militaristic civilization. An extraordinary exploration of ecology, identity, culture, and nonviolent resistance, with rich characterization and a gripping second half that was almost too tense for me.

Cover of The Last of the Dragons and Some Others
fantasy · 1899

The Last of the Dragons and Some Others

by E. Nesbit

A collection of century-old children's dragon stories with delightful illustrations, witty dialogue, and wonderfully ridiculous inventions. The title story is a gem, but the others are often too simplistic for my tastes—and the period racism and distrust-of-adults storytelling make for an uncomfortable read.

Cover of Extra Ellies
sci-fi · 1990

Extra Ellies

by Julia Ecklar

A nine-page science-fiction story about a society so obsessed with mortality statistics that people have practically stopped living. Julia Ecklar's imaginative worldbuilding shines, but its message about manipulating safety information hit very differently when I read it during the COVID-19 pandemic.

Cover of Contrarywise
fantasy · 1989

Contrarywise

by Zohra Greenhalgh

An eccentric trickster god, an expansive magical world, and a wonderfully engaging ensemble make for a promising beginning. Then an increasingly incoherent, world-ending plot introduces divine meddling, rape, and a supposedly heartwarming romance between biological twins. I loved the first third. The rest? What the fuck.

Cover of The Far Forests
fantasy · 1977

The Far Forests

by Joan Aiken

Fifteen charming, gently supernatural tales of romance, mystery, death, and other peculiarities. Joan Aiken makes even her macabre stories feel cozy and inviting, creating a quietly delightful collection with surprising moments of substance.

Cover of The Duchess of Kneedeep
sci-fi · 1986

The Duchess of Kneedeep

by Atanielle Annyn Noel

A runaway duchess flees across an absurd planet where seemingly every man she encounters threatens her with sexual violence or murder. Tepid jokes, shallow characters, and a twist that trivializes her entirely reasonable fears made this supposed comedy impossible to finish.

Cover of Deryni Checkmate
fantasy · 1972

Deryni Checkmate

by Katherine Kurtz

After the brisk, satisfying intrigue of Deryni Rising, its sequel offers little but vague political unrest, religious persecution, endless dowry discussions, and characters who seem as bored as I am. I abandoned the book at page 78.

Cover of Song of the Pearl
fantasy · 1976

Song of the Pearl

by Ruth Nichols

A teenage girl journeys through the afterlife and her past incarnations to understand her suffering. Beautiful prose cannot redeem a YA novel whose central message holds an abused child responsible for her own sexual assault—and ultimately demands that she apologize to her abuser. My most hated ForFemFan read.

Cover of Sorcerer's Legacy
fantasy · 1982

Sorcerer's Legacy

by Janny Wurts

A grieving widow is transported across time and space to save a prince, only to become trapped in deadly court intrigue. Competent prose can't rescue an unconvincing heroine, relentlessly contrived suspense, or an appalling ending that treats terrible sacrifices as a triumph.

Cover of The Fluger
sci-fi · 1980

The Fluger

by Doris Piserchia

A seemingly unstoppable alien monster terrorizes a futuristic New York City while an uncooperative alien assassin hunts it down. A gloriously pulpy, occasionally gory adventure with inconsistent writing, surprisingly thoughtful characters, and unexpected moments of genuine beauty.

Cover of The Hero and the Crown
fantasy · 1984

The Hero and the Crown

by Robin McKinley

Aerin, the ostracized daughter of Damar's king, must forge a place for herself in a world that doubts her worth. An intimate, fiercely feminist coming-of-age fantasy about persistence, compassion, and finding strength without losing yourself—and a book that helped shape who I became.

Cover of The Blue Sword
fantasy · 1982

The Blue Sword

by Robin McKinley

Harry Crewe, a young woman displaced to a remote desert frontier, finds herself drawn into the magical world of the Hillfolk. A languid, traditional chosen-one fantasy whose unremarkable plot is more than redeemed by the quiet strength, dignity, and wonderfully nuanced characterization of its heroine.

Cover of The Devil You Say
fantasy · 1993

The Devil You Say

by Elisa DeCarlo

Aubrey Arbuthnot returns for another absurd supernatural adventure in 1920s England. The plot is more ambitious and the humor more outrageous than Strong Spirits, but an increasingly obnoxious protagonist and some unexpectedly cruel stereotypes diminish the fun.

Cover of Dancer of the Sixth
sci-fi · 1993

Dancer of the Sixth

by Michelle Shirey Crean

A military intelligence agent discovers someone has stolen her former identity and must go undercover as herself to investigate. A terrific premise buried beneath bloated prose, tedious exposition, and a mystery that loses its tension almost immediately.

Cover of Soul-Singer of Tyrnos
fantasy · 1981

Soul-Singer of Tyrnos

by Ardath Mayhar

A young Singer follows the gods' guidance across Tyrnos, using the magic of song to heal suffering and expose corruption. A compact, traditional fantasy quest with likable characters, unusual magic, and just enough adventure to scratch that fantasy itch.

Cover of Watchstar
sci-fi · 1980

Watchstar

by Pamela Sargent

A solitary young woman in a telepathic society must protect an outsider while preparing for a dangerous coming-of-age ordeal. A thoughtfully written exploration of consciousness, morality, and cultural contact—though its philosophical interests didn't entirely align with mine.

Cover of The Adversary
speculative · 1984

The Adversary

by Julian May

The final volume of The Saga of Pliocene Exile delivers an overstuffed conclusion in which murderous abusers edge toward redemption, ever-expanding psychic powers dissolve the stakes, and crucial information is withheld simply to keep the reader turning pages. Includes a complete spoiler-filled recap for anyone who'd rather skip the 470-page ordeal.

Cover of The Nature of Witches
speculative · 1964

The Nature of Witches

by Joan Sanders

An American scientist in Sweden begins to wonder whether his estranged wife is a witch. Surprisingly perceptive prose and vivid characterization give way to appalling misogyny, sexual violence, and an ending that rewards an utterly reprehensible protagonist.

Cover of The Strange Likeness
speculative · 1929

The Strange Likeness

by Harriet Pyne Grove

A 1929 girls' boarding-school story about two look-alikes offers a glimpse into the ambitions of young women nearly a century ago. But reading a copy rescued from my grandmother's bookshelf made this unremarkable little novel an unexpectedly moving experience.

Cover of Strong Spirits
fantasy · 1994

Strong Spirits

by Elisa DeCarlo

When a charmingly useless young aristocrat's father dies, his ghost refuses to leave him alone. A wonderfully absurd little supernatural comedy set in 1920s England, with dry humor, lovable characters, and just enough detail to make its 151 pages feel like a complete world.

Cover of Regenesis
sci-fi · 1995

Regenesis

by Julia Ecklar

Four loosely connected novellas follow a misanthropic ecological scientist working to preserve animal life across the galaxy. Rich in real science, surprising emotion, and occasional delightful weirdness, Regenesis left me wishing there were more.

Cover of Bone Dance
speculative · 1991

Bone Dance

by Emma Bull

A post-apocalyptic, low-tech cyberpunk noir that mixes psychological mystery, mysticism, and questions of identity. Ambitious and occasionally beautiful, but its competing storylines and uneven development made finishing it a frustrating slog.

Cover of Deryni Rising
fantasy · 1970

Deryni Rising

by Katherine Kurtz

A young prince, his Deryni magician mentor, and a vengeful sorceress collide in an elaborate struggle for the throne. A classic historical fantasy with impossibly dramatic characters, convenient magic, and an unexpectedly comforting old-fashioned charm.

Cover of Mindbond
fantasy · 1987

Mindbond

by Nancy Springer

Kor and Dannoc spend an exhausting amount of time discussing their magical bond, their feelings, and their feelings about each other's feelings. The plot barely registers, but the increasingly suggestive love triangle kept me reading for entirely undignified reasons.

Cover of Alien Blues
sci-fi · 1992

Alien Blues

by Lynn S. Hightower

A futuristic police procedural featuring serial killers, a sinister conspiracy, and wonderfully peculiar stingray-like aliens. The Elaki are delightful, but muddled plotting, stilted prose, and gratuitous sexualized violence ruin an otherwise promising premise.

Cover of Daughter of Night
sci-fi · 1966

Daughter of Night

by Lydia Obukhova

Lilith's prehistoric world collides with an alien civilization facing cosmic annihilation. An intriguing retelling of ancient mythology gets lost in metaphysical exposition, though its Soviet author's remarkable history adds another dimension to the story.

Cover of The Light in Exile
sci-fi · 1990

The Light in Exile

by Cheryl J. Franklin

An agrarian colony, a mysterious agent, and an ancient alien race consumed by loss. A beautifully crafted, character-driven science fiction novel that balances cosmic stakes with intimate, believable lives—despite some languid pacing.

Cover of Mysteries of People and Places
speculative · 1992

Mysteries of People and Places

by Phyllis Raybin Emert

A nostalgic return to the sensational mysteries I devoured as a kid, from the Bermuda Triangle to the Tunguska explosion. Not exactly speculative fiction—or particularly reliable history—but a surprisingly enjoyable exploration of modern mythology.

Cover of A Bad Spell in Yurt
fantasy · 1991

A Bad Spell in Yurt

by C. Dale Brittain

A freshly graduated wizard takes a job in the charming kingdom of Yurt, only to discover something sinister threatening its king. A delightful, cozy fantasy mystery with lovable characters, just enough intrigue, and a whole lot of heart.

Cover of Silk Roads and Shadows
fantasy · 1988

Silk Roads and Shadows

by Susan Shwartz

A Byzantine princess sets out on a perilous journey to China to steal silkworms and save her empire. A promising historical fantasy adventure, but frantic pacing, disorienting transitions, and careless prose made me abandon it after fifty pages.

Cover of An Exchange of Hostages
sci-fi · 1997

An Exchange of Hostages

by Susan R. Matthews

A compassionate surgeon is forced to train as a state-sanctioned torturer in a dystopian future. Brilliant psychological characterization initially had me hooked, but an abrupt turn toward sexual sadism made this a book I couldn't continue.

Cover of The Armies of Daylight
fantasy · 1983

The Armies of Daylight

by Barbara Hambly

I stuck with Barbara Hambly's Darwath trilogy out of love for the author, only to find an ending that made three books of struggle feel pointless. Flat protagonists, frustrating plotting, and one of the most unsatisfying finales I've ever read.

Cover of Joshua, Son of None
sci-fi · 1973

Joshua, Son of None

by Nancy Freedman

A scientist secretly preserves John F. Kennedy's DNA with the intention of cloning him. Intriguing, ambitious, and beautifully written—but its dense mixture of Norse mythology, metaphor, and scientific detail demanded more concentration than I was prepared to give.

Cover of Call of Madness
fantasy · 1990

Call of Madness

by Julie Dean Smith

In a kingdom that executes its mages, a reckless princess discovers she has forbidden magical powers. An intriguing premise and thrilling final act are undermined by inconsistent characterization, questionable decisions, and a frustrating protagonist.

Cover of Far Edge of Darkness
sci-fi · 1996

Far Edge of Darkness

by Linda Evans

A group of modern-day strangers find themselves enslaved in ancient Rome, caught in a dangerous time-travel conspiracy. A well-written, suspenseful action novel that's solidly enjoyable, even if its central mystery proves more compelling than its resolution.

Cover of The Dimensioneers
sci-fi · 1982

The Dimensioneers

by Doris Piserchia

A teenage girl and her mutant lion leap between dimensions, pursued by hostile aliens. Unfortunately, fourteen pages of clumsy prose and bewildering action were more than enough to convince me to abandon the adventure.

Cover of The Panorama Egg
fantasy · 1978

The Panorama Egg

by A. E. Silas

A panorama egg contains an entire fantasy world, and an infuriating protagonist gets to explore it. Baffling, uneven, and often unpleasant—but one magnificent, mysterious sorceress makes the whole thing unforgettable.

Cover of The Prince of Whales
fantasy · 1985

The Prince of Whales

by R. L. Fisher

A singing whale, predatory orca music managers, nautical puns, and a quest to save the ocean. An utterly ridiculous children's fantasy that's goofy in all the right ways—and surprisingly entertaining for adults.

Cover of King's Dragon
fantasy · 1997

King's Dragon

by Kate Elliott

An intricately constructed medieval fantasy with a promising prologue, but its painstaking worldbuilding and a young woman's brutal loss of agency couldn't sustain my interest. After two attempts, I still couldn't finish it.

Cover of Tempus
fantasy · 1987

Tempus

by Janet Morris

I expected adventures worthy of my dog Niko. Instead, I found purple prose, endless flashbacks, uncomfortable philosophical arguments, and a Thieves’ World collection written for fans who already know the characters.

Cover of House of Illusion
speculative · 1969

House of Illusion

by Nicola Devon

A young librarian visits her eccentric aunt's mysterious estate, hoping for adventure. An intriguing opening, a charming mechanic, and some genuinely terrible plotting make for a deeply disappointing Gothic mystery.

Cover of Suffer a Witch to Die
speculative · 1969

Suffer a Witch to Die

by Elizabeth Davis

A wonderfully obscure 1960s Gothic thriller about a widow transported into the body of her Puritan doppelgänger during the Salem witch trials. Eerie, inventive, and just a little too short for its own good.

Cover of The Drastic Dragon of Draco, Texas
fantasy · 1986

The Drastic Dragon of Draco, Texas

by Elizabeth Scarborough

A Wild West fantasy promising dragons and cozy eccentricity turns into a tedious account of kidnapping, captivity, and everyday life, complete with unfortunate Native American stereotypes. I wanted more dragon and less everything else.

Cover of An Alien Light
sci-fi · 1988

An Alien Light

by Nancy Kress

A fascinating, deeply human science fiction novel about violence, relationships, and the contradictions of human nature. Its unusual premise and richly developed characters made it one of my favorite ForFemFan discoveries.

Cover of The Walls of Air
fantasy · 1983

The Walls of Air

by Barbara Hambly

Rudy and Ingold undertake a perilous journey while Gil and Minalde investigate an ancient keep. Intriguing mysteries and stronger characterization can't quite overcome frustrating plot contrivances, questionable decisions, and a truly baffling approach to food storage.

Cover of Two-Bit Heroes
fantasy · 1992

Two-Bit Heroes

by Doris Egan

Theodora returns to Ivory, gets engaged to Ran, and finds herself tangled up with a band of outlaws. A slow start and a messy ending can't spoil the delight of spending more time with Doris Egan's wonderfully human characters.

Cover of Wizenbeak
fantasy · 1986

Wizenbeak

by Alexis A. Gilliland

I needed a comforting fantasy after a particularly brutal book. Instead, I found two pages of awkward prose, baffling word choices, and enough editorial grievances to produce an entire line-by-line critique. Also: ratsters.

Cover of Chrysalis of Death
speculative · 1976

Chrysalis of Death

by Eleanor Robinson

A fossil collector unearths prehistoric caterpillars that unleash a horrifying epidemic on a tiny desert town. Competently written, genuinely suspenseful pulp horror whose relentless cruelty and hopelessness left me furious.

Cover of Phoenix Fire
fantasy · 1992

Phoenix Fire

by Elizabeth Forrest

A light urban fantasy involving Chinese mythology, an ancient demon, and a rather underused phoenix. It has all the charm, questionable plotting, and nostalgic familiarity of a 1990s PG-13 action movie.

Cover of The Garden of the Shaped
sci-fi · 1987

The Garden of the Shaped

by Sheila Finch

Immortal scientists create three races and gradually forget why they made them. A fascinating exploration of creation, privilege, and prejudice loses its momentum when philosophical mysteries give way to a less compelling race war.

Cover of Dreamrider
speculative · 1982

Dreamrider

by Sandra Miesel

A promising dream-world premise, a giant otter, and some of the most painfully stilted prose and dialogue I've encountered. I abandoned this one after eleven pages, with absolutely no regrets.

Cover of Islands
sci-fi · 1976

Islands

by Marta Randall

In a world of immortals, Tia Hamley is the one woman who will grow old and die. A beautifully written, deeply human exploration of mortality, identity, and connection, somewhat undermined by its metaphysical ending.

Cover of The Joy Wagon
sci-fi · 1958

The Joy Wagon

by Arthur T. Hadley

I deliberately broke the rules of ForFemFan because the robot on the cover looked like Claptrap. What I got was a presidential campaign full of depressingly familiar politics, racism, sexism, and a robot considerably less charming than advertised.

Cover of The Time of the Dark
fantasy · 1982

The Time of the Dark

by Barbara Hambly

A medieval historian, a drifter, and a magnificent old wizard find themselves fighting to survive an apocalypse in another world. An unexpectedly thin plot and unconvincingly resilient protagonists disappoint, but Ingold nearly saves the whole thing.

Cover of The Witchstone
fantasy · 1974

The Witchstone

by Victoria Graham

Three villains pursue a magical stone, and an intriguing exploration of damaged people gives way to a disappointing quest and an unconvincing redemption. Wonderful beginnings, frustrating execution, and yet another case of Bad Back Copy.

Cover of The Witches
fantasy · 1968

The Witches

by Françoise Mallet-Joris

Twenty-eight pages into this literary tale of witchcraft, I surrendered to its relentlessly philosophical narrator. Not necessarily a bad book, but one whose storytelling style is spectacularly incompatible with mine.

Cover of Missing Man
sci-fi · 1975

Missing Man

by Katherine MacLean

A kindhearted telepath with learning disabilities joins a futuristic rescue squad. George is wonderful, the premise is fascinating, and the increasingly disconnected plots turn a promising collection of ideas into a frustrating mess.

Cover of Daughters of Earth
sci-fi · 1968

Daughters of Earth

by Judith Merril

Three vintage science-fiction stories, one painfully misogynistic and two extraordinary. An intimate multigenerational history of women exploring space and a telepathic encounter between a stranded child and an alien mother make this collection well worth reading.

Cover of The Serpent
fantasy · 1963

The Serpent

by Jane Gaskell

A sheltered goddess-princess is thrust into a brutal world where women's sexuality is both a liability and a source of power. Beautiful, devastating, unexpectedly funny, and one of the most thought-provoking novels I've read.

Cover of The Fountains of Mirlacca
fantasy · 1995

The Fountains of Mirlacca

by Ashley McConnell

A kindhearted outcast, a fascinating guild of exorcists, and a richly imagined little fantasy world. Unfortunately, rushed pacing and some spectacularly misleading back-cover copy undermine an otherwise promising story.

Cover of Eldrie the Healer
fantasy · 1989

Eldrie the Healer

by Claudia J. Edwards

A bastard princess who mistakes being perpetually furious for being strong, a companion whose personality changes by the page, and fifty pages of characterization so frustrating I gave up.

Cover of The Gate of Ivory
speculative · 1989

The Gate of Ivory

by Doris Egan

A pragmatic young woman stranded on a magical planet finds friendship, intrigue, and a wonderfully unconventional family. Clever, funny, deeply human, and an absolute delight from beginning to end.

Cover of The Nonborn King
sci-fi · 1983

The Nonborn King

by Julian May

The third Saga of Pliocene Exile novel abandons much of what made the series wonderful: compelling characters, immersive storytelling, and emotional depth. What's left is war, betrayal, and people I desperately want to see die.

Cover of Madbond
fantasy · 1987

Madbond

by Nancy Springer

An amnesiac hunter, a carnivorous horse, six intertwined tribes, and a bromance that goes from zero to eternal devotion. A slow start gives way to fascinating mythology and excellent storytelling.

Cover of The Trees of Zharka
sci-fi · 1975

The Trees of Zharka

by Nancy Mackenroth

A world in perpetual penance, 79 sacred trees, and a young priest questioning everything he's been taught. A surprisingly nuanced, thoughtful, and optimistic little science-fiction novel.

Cover of Lords of the Triple Moons
sci-fi · 1984

Lords of the Triple Moons

by Ardath Mayhar

Andre Norton recommends it, the cover promises glorious pulp, and the prose is lovely. Unfortunately, every interesting event seems to happen between chapters. I gave up on page 34.

Cover of Gifts of Blood
fantasy · 1990

Gifts of Blood

by Susan C. Petrey

A collection of strange, beautifully imagined stories about healing vampires on the Russian steppes, plus an alien invasion and a musical spider. Rich in mythology and prose, if sometimes light on plot.

Cover of The Golden Torc
sci-fi · 1982

The Golden Torc

by Julian May

Book two of the Saga of Pliocene Exile broadens the cast, speeds up the storytelling, and leans harder into science-fantasy. Not quite as immersive as The Many-Colored Land, but still compelling—and Sugoll is worth the price of admission.

Cover of Dragon's Pawn
fantasy · 1987

Dragon's Pawn

by Carol L. Dennis

A computer programmer named Noble King gets whisked into a fantasy quest. Clumsy prose, casual sexism, an abandoned cat, and an unfortunately attractive fennec fox put an end to my reading.

Cover of The Seventh Gate
fantasy · 1983

The Seventh Gate

by Geraldine Harris

The breathtaking conclusion to Seven Citadels left me sobbing at one in the morning. A remarkable story of complicated friendships, physical beauty, and the painful, wonderful realities of being human.

Cover of The Many-Colored Land
sci-fi · 1981

The Many-Colored Land

by Julian May

A one-way ticket six million years into Earth's past, a cast of misfits, and the delicious terror of the unknown. A sprawling science-fantasy epic that initially blew me away.

Cover of Sword-Dancer
fantasy · 1986

Sword-Dancer

by Jennifer Roberson

A chauvinist sword-for-hire and a formidable swordswoman make for a surprisingly funny, feminist adventure—until terrible decisions and a rushed final act derail everything.

Cover of Children of the Wind
fantasy · 1982

Children of the Wind

by Geraldine Harris

The second Seven Citadels adventure deepens its wonderfully human characters, explores faith and philosophy without preaching, and introduces an argumentative companion and a delightful cat.

Cover of The Guardsman
sci-fi · 1988

The Guardsman

by P. J. Beese and Todd Cameron Hamilton

An imperial guard torn between loyalty and rebellion sounds promising. Unfortunately, 75 pages of lazy sexism, muscular lionmen, and painfully elaborate mirror descriptions were more than enough.

Cover of Demon Drums
fantasy · 1992

Demon Drums

by Carol Severance

God-killing, magical drums, witches, shapeshifters, and flying dolphins. A fascinating island fantasy with far more ideas than its 240 pages can possibly accommodate.

Cover of Nightpool
fantasy · 1985

Nightpool

by Shirley Rousseau Murphy

A wronged prince, singing dragons, ancient evil, and an entire tribe of impossibly charming talking otters. Delightful animal characters can't quite save an increasingly chaotic plot.

Cover of Pandora's Genes
sci-fi · 1985

Pandora's Genes

by Kathryn Lance

A post-apocalyptic world of warrior-nun scientists, empathetic foxcats, genetic disasters, and frighteningly believable religious fanaticism. A surprisingly compelling adventure despite some uncomfortable themes.

Cover of The Wave and the Flame
sci-fi · 1986

The Wave and the Flame

by M. Bradley Kellogg with William B. Rossow

Gorgeous cover. Epic premise. Forty pages of tedious meteorology, catty scientists, and prose so overwrought that a mischievous dwarf finally drove me to give up.

Cover of Tea with the Black Dragon
fantasy · 1983

Tea with the Black Dragon

by R. A. MacAvoy

A supposedly fantastical romance-thriller whose dragons barely dragon, characters barely investigate, and technical jargon never seems to end. At least Mayland Long is likable.

Cover of The Wicked Enchantment
fantasy · 1955

The Wicked Enchantment

by Margot Benary-Isbert

An eleven-year-old girl, three eccentric aunts, a magnificent collection of animals, and a rebellion involving Easter eggs. Delightfully feminist middle-grade fantasy that deserves to be a classic.

Cover of Those Who Hunt the Night
fantasy · 1988

Those Who Hunt the Night

by Barbara Hambly

A Victorian vampire murder mystery with exceptional characterization, rich historical detail, and a conclusion that doesn't quite live up to the journey.

Cover of Chance and Other Gestures of the Hand of Fate
fantasy · 1987

Chance and Other Gestures of the Hand of Fate

by Nancy Springer

A wildly varied collection of stories, poems, and a novella—thoughtful, beautifully written, sometimes dark, and occasionally interrupted by a monstrous dick monster.

Cover of Star Gate
sci-fi · 1958

Star Gate

by Andre Norton

Parallel dimensions, evil doubles, existential headaches, and a battle-llama. Delightful old-school science fiction with some forgettable characters.

Cover of Found
sci-fi · 1996

Found

by June Oldham

A childhood favorite that holds up beautifully, with evocative prose, unexpected friendships, and a surprising amount of emotional depth.

Cover of Killer Pine
sci-fi · 1973

Killer Pine

by Lindsay Gutteridge

A miniature secret agent investigates a dying Canadian forest in a surprisingly beautiful novel that turns insects, ordinary landscapes, and even mutant termites into sources of wonder.

Cover of The Incorporated Knight
fantasy · 1987

The Incorporated Knight

by L. Sprague de Camp & Catherine Crook de Camp

The Incorporated Knight is … a book? A gentle, meandering comedy of errors starring an entirely unflappable knight whose adventures are absurd, occasionally clever, and surprisingly difficult to categorize.

Cover of Prince of the Godborn
fantasy · 1982

Prince of the Godborn

by Geraldine Harris

An unassuming little YA fantasy novel that delivers wonderfully authentic sibling relationships, fascinating theological questions, and characters I'd happily read about going grocery shopping.

Cover of Psion
sci-fi · 1982

Psion

by Joan D. Vinge

A street-hardened telepath with an attitude problem, a narrative that summarizes its own best moments, and enough ellipses to finally make me put the book down.

Cover of War for the Oaks
fantasy · 1987

War for the Oaks

by Emma Bull

It’s good—it’s dazzlingly good—but it’s also quite simple. War for the Oaks is lyrical, methodical, and shines with an exquisite attention to detail.

Cover of The Wizard's Shadow
fantasy · 1993

The Wizard's Shadow

by Susan Dexter

The Wizard’s Shadow is, both at its best and at its core, a story about a fantastical, medieval odd-couple. Except they have to share a lot more than living quarters.