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Obscure

12 reviews

Cover of Orbit 13
sci-fi · 1974

Orbit 13

by Damon Knight

Twenty stories of distinctly bleak 1970s speculative fiction, ranging from post-apocalyptic nightmares to reality-bending psychological horror. Doris Piserchia and Kate Wilhelm deliver some excellent work, but the relentless gloom left me exhausted rather than hungry for more.

Cover of Jalav
fantasy · 1982

Jalav

by Sharon Green

A promising fantasy about a fierce tribe of warrior women begins as an intriguing reversal of traditional gender roles, then devolves into relentless rape, slavery, and abuse portrayed as romance. Unconvincing characterization and a dreadful post-apocalyptic reveal only make its dangerous rape apologism worse.

Cover of Taurus Four
sci-fi · 1970

Taurus Four

by Rena Vale

A stranded space explorer encounters a primitive society descended from hippies and falls for a teenage girl. I kept reading in hopes that the protagonist's spectacular sexism was deliberate satire. Instead, the novel celebrates his misogyny and delivers one of the most appalling endings I've encountered.

Cover of Charlemagne's Champion
fantasy · 1990

Charlemagne's Champion

by Gail Van Asten

Roland, an outcast warrior terrified of his supernatural heritage, seeks redemption through service to Charlemagne. A deeply unlikable protagonist and sloppy prose nearly drove me away, but intriguing magical mysteries and a promising friendship kept me reading—until a disappointing conclusion vindicated my initial doubts.

Cover of A City in the North
sci-fi · 1976

A City in the North

by Marta Randall

A wealthy human explorer becomes obsessed with visiting an ancient ruin on a planet whose enigmatic native inhabitants want outsiders to stay away. In just 222 pages, Marta Randall delivers a fascinating, character-driven exploration of alien cultures, colonialism, and the limits of human understanding.

Cover of The Far Forests
fantasy · 1977

The Far Forests

by Joan Aiken

Fifteen charming, gently supernatural tales of romance, mystery, death, and other peculiarities. Joan Aiken makes even her macabre stories feel cozy and inviting, creating a quietly delightful collection with surprising moments of substance.

Cover of The Duchess of Kneedeep
sci-fi · 1986

The Duchess of Kneedeep

by Atanielle Annyn Noel

A runaway duchess flees across an absurd planet where seemingly every man she encounters threatens her with sexual violence or murder. Tepid jokes, shallow characters, and a twist that trivializes her entirely reasonable fears made this supposed comedy impossible to finish.

Cover of The Fluger
sci-fi · 1980

The Fluger

by Doris Piserchia

A seemingly unstoppable alien monster terrorizes a futuristic New York City while an uncooperative alien assassin hunts it down. A gloriously pulpy, occasionally gory adventure with inconsistent writing, surprisingly thoughtful characters, and unexpected moments of genuine beauty.

Cover of Dancer of the Sixth
sci-fi · 1993

Dancer of the Sixth

by Michelle Shirey Crean

A military intelligence agent discovers someone has stolen her former identity and must go undercover as herself to investigate. A terrific premise buried beneath bloated prose, tedious exposition, and a mystery that loses its tension almost immediately.

Cover of Soul-Singer of Tyrnos
fantasy · 1981

Soul-Singer of Tyrnos

by Ardath Mayhar

A young Singer follows the gods' guidance across Tyrnos, using the magic of song to heal suffering and expose corruption. A compact, traditional fantasy quest with likable characters, unusual magic, and just enough adventure to scratch that fantasy itch.

Cover of The Nature of Witches
speculative · 1964

The Nature of Witches

by Joan Sanders

An American scientist in Sweden begins to wonder whether his estranged wife is a witch. Surprisingly perceptive prose and vivid characterization give way to appalling misogyny, sexual violence, and an ending that rewards an utterly reprehensible protagonist.

Cover of The Strange Likeness
speculative · 1929

The Strange Likeness

by Harriet Pyne Grove

A 1929 girls' boarding-school story about two look-alikes offers a glimpse into the ambitions of young women nearly a century ago. But reading a copy rescued from my grandmother's bookshelf made this unremarkable little novel an unexpectedly moving experience.